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- “Cambodia: Plastic, Neuroplasticity, and PTSD,” 2019, Obieg
- “The Woman Who Lives on a Disappearing Mountain,” 2018, Catapult
- “Memorializing the Accelerating Loss of Planetary Life,” 2018, Hyperallergic
- “Meta Moeng: a bridge-builder in Cambodia’s art world,” 2018, Arts Equator
- “Transformation and Non-Adventure in Ashley Shelby’s South Pole Station,” 2018, Los Angeles Review of Books
- “How Can Ecological Artists Move Beyond Aesthetic Gestures?” 2017, Hyperallergic
- “Demolishing Phnom Penh,” 2017, The Towner
- “Vietnamese Artists Respond to Marine Disaster Through #IChooseFish,” 2016, Hyperallergic
- “Virtual reality gets real in latest campaigns,” Mobilisation Lab, 2016
- “Art After Social Media in Cambodia,” Rhizome, 2015
- “The Pirate Party’s ‘Poetician’ Plans to Make Iceland a Data Haven,” Motherboard, 2014